Author(s): Sevim ARSLAN
Weaving reflect the cultural heritage of thousands of years society has found a response in the form of the use of any living object. This hand-woven primarily tested rather than an aesthetic object and a user object is experienced. The emergence and production reasons assessed under each weaving craft for centuries because it is functional, it is intended to be carried in an artistic context. To serve as a resource for contemporary art of weaving culture of creativity begins to be seen after the 19th century. The weaving of the change dynamics of modern art, technology, materials and attention, we see that as a method. 19. century emerged Art & Crafts, Art Nouveau and later Bauhaus design movement of the craft as the destruction caused by industrialization are attempts to revive . This is the impact of the movement, before the woven tapestry art we see in the tradition of European art of weaving. Until the 20th century, plant tapestry are at the intersections of art and craft of traditional modes of production, from tradition with the introduction touch of modern art with artists' original works is broken because of the differentiation in function and purpose is to win the status of art. Avangard and in the process of change occurs depending on the movement of modern art brought modernism, The most important effect in the field of textile art takes place with Bauhaus.Weaving workshop of the Bauhaus is reflected in the Textile art of the material and technical means of expression used by Textile Art a new art space ceased to be the elements that make up a picture of the defining fabric elements, it began a period that reaches the artistic expression and creation point with their presence. Contemporary art has contributed to expanding the boundaries of extremely artists' materials and techniques in this period, bringing the form to the formation the works Textile art expression and developmen
The Journal of International Social Research received 8982 citations as per Google Scholar report
