Author(s): Fırat ENGİN
It can be seen that there was a conceptual paradigm change in art in the 1960's in an ontological sense. In the context of art historical process and aesthetics, the propositions of the 60s, new tendencies have formed a very strong ground in terms of method and discourse in today's art. That is why it is important to establish a relationship with this ground while deciphering an artist's practice today. In this article, first of all, the discourses of the 60's with a paradigm change will be considered as the beginning, and then, Ay?e Erkmen's works are discussed as object, technique, studio, style, aesthetics (taste, pleasure), institution, audience experience etc. in art. Its relationship with many dynamics and its position against these principles will be examined. In this context, this article, which tries to decipher Erkmen's practice; Beyond the elements generally attributed to it, it aims to reflect its innovative, transformative and questioning reality within the scope of a case e
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