STATIC STAY AND THE EXAMPLE OF ZEKI ARIF ATAERGIN IN MUSIC PROZODIA

Abstract

Author(s): Semih OKCU

In this study, information about some rules of Prozody and Static stay has been given, and based on this, there are some inferences obtained in the context of the analyzes made by analyzing the works composed by Zeki Ârif Ataergin in Kürdîlihicazkâr and as a result of these, some suggestions belonging to us. Static stays have been determined by making prosody analysis of the said works, together with what kind of problems the works constitute in terms of prosody or not. After all these results, it is thought that our study will enlighten us in terms of the continuation of this and similar artistic works and contribute to the creation of new works. This research aims to indicate the extent Turkish music composers pay attention to prosody in their works as well as to present new learning in terms of the composers' style, attitude and composing. It also aims to contribute to the creation of new works for the continuation of artistic works of this type. As a result of the findings, it is seen that Zeki Ârif Ataergin's works have the same form structure. Considering all the results, our study is thought to offer an insight to both the continuation of artistic works like this and so on and will contribute to the creation of new works.

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