Author(s): Gözde ÇOLAKOĞLU SARI
In this article, the enterprises that were initiated in the name of westernization movements during the periods of Selim III, and his nephew, Mahmut II, in which the concrete effects of the westernization current asserted itself, the influence of these endeavors on “Ottoman Court Music Identity”, the historical outcomes of these effects will be analyzed. Historical documents, recollections, letters and the archives of the state will serve as resources and the presented information will be supported by visual materials.
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